Buddhism probably arrived in China around the 1st century CE from Central Asia (although there are some traditions about a monk visiting China during Ashoka's reign), and through to the 8th century it became an extremely active center of Buddhism.
The year 67 CE saw Buddhism's official introduction to China with the coming of the two monks Moton and Chufarlan. In 68 CE, under imperial patronage, they established the White Horse Temple (白馬寺), which still exists today, close to the imperial capital at Luoyang. By the end of the second century, a prosperous community had been settled at Pengcheng (modern Xuzhou, Jiangsu).
The first known Mahayana scriptural texts are translations made into Chinese by the Kushan monk Lokaksema in Luoyang, between 178 and 189 CE. Some of the earliest known Buddhist artifacts found in China are small statues on "money trees", dated circa 200 CE, in typical Gandharan style (drawing): "That the imported images accompanying the newly arrived doctrine came from Gandhara is strongly suggested by such early Gandhara characteristics on this "money tree" Buddha as the high ushnisha, vertical arrangement of the hair, moustache, symmetrically looped robe and parallel incisions for the folds of the arms." ("Crossroads of Asia" p209)
The year 67 CE saw Buddhism's official introduction to China with the coming of the two monks Moton and Chufarlan. In 68 CE, under imperial patronage, they established the White Horse Temple (白馬寺), which still exists today, close to the imperial capital at Luoyang. By the end of the second century, a prosperous community had been settled at Pengcheng (modern Xuzhou, Jiangsu).
The first known Mahayana scriptural texts are translations made into Chinese by the Kushan monk Lokaksema in Luoyang, between 178 and 189 CE. Some of the earliest known Buddhist artifacts found in China are small statues on "money trees", dated circa 200 CE, in typical Gandharan style (drawing): "That the imported images accompanying the newly arrived doctrine came from Gandhara is strongly suggested by such early Gandhara characteristics on this "money tree" Buddha as the high ushnisha, vertical arrangement of the hair, moustache, symmetrically looped robe and parallel incisions for the folds of the arms." ("Crossroads of Asia" p209)
Buddhism flourished during the beginning of the Tang Dynasty (618–907). The dynasty was initially characterized by a strong openness to foreign influences, and renewed exchanges with Indian culture due to the numerous travels of Chinese Buddhist monks to India from the 4th to the 11th century. The Tang capital of Chang'an (today's Xi'an) became an important center for Buddhist thought. From there Buddhism spread to Korea, and Japanese embassies of Kentoshi helped gain footholds in Japan.
However foreign influences came to be negatively perceived towards the end of the Tang Dynasty. In the year 845, the Tang emperor Wuzong outlawed all "foreign" religions (including Christian Nestorianism, Zoroastrianism, and Buddhism) in order to support the indigenous Taoism. Throughout his territory, he confiscated Buddhist possessions, destroyed monasteries and temples, and executed Buddhist monks, ending Buddhism's cultural and intellectual dominance.
However, about a hundred years after the Great Anti-Buddhist Persecution, Buddhism revived during the Song Dynasty (1127–1279).
Pure Land and Chan Buddhism, however, continued to prosper for some centuries, the latter giving rise to Japanese Zen. In China, Chan flourished particularly under the Song dynasty (1127–1279), when its monasteries were great centers of culture and learning.
Today, China boasts one of the richest collections of Buddhist arts and heritages in the world. UNESCO World Heritage Sites such as the Mogao Caves near Dunhuang in Gansu province, the Longmen Grottoes near Luoyang in Henan province, the Yungang Grottoes near Datong in Shanxi province, and the Dazu Rock Carvings near Chongqing are among the most important and renowned Buddhist sculptural sites. The Leshan Giant Buddha, carved out of a hillside in the 8th century during Tang Dynasty and looking down on the confluence of three rivers, is still the largest stone Buddha statue in the world.
However foreign influences came to be negatively perceived towards the end of the Tang Dynasty. In the year 845, the Tang emperor Wuzong outlawed all "foreign" religions (including Christian Nestorianism, Zoroastrianism, and Buddhism) in order to support the indigenous Taoism. Throughout his territory, he confiscated Buddhist possessions, destroyed monasteries and temples, and executed Buddhist monks, ending Buddhism's cultural and intellectual dominance.
However, about a hundred years after the Great Anti-Buddhist Persecution, Buddhism revived during the Song Dynasty (1127–1279).
Pure Land and Chan Buddhism, however, continued to prosper for some centuries, the latter giving rise to Japanese Zen. In China, Chan flourished particularly under the Song dynasty (1127–1279), when its monasteries were great centers of culture and learning.
Today, China boasts one of the richest collections of Buddhist arts and heritages in the world. UNESCO World Heritage Sites such as the Mogao Caves near Dunhuang in Gansu province, the Longmen Grottoes near Luoyang in Henan province, the Yungang Grottoes near Datong in Shanxi province, and the Dazu Rock Carvings near Chongqing are among the most important and renowned Buddhist sculptural sites. The Leshan Giant Buddha, carved out of a hillside in the 8th century during Tang Dynasty and looking down on the confluence of three rivers, is still the largest stone Buddha statue in the world.
Korea
Buddhism was introduced around 372 CE, when Chinese ambassadors visited the Korean kingdom of Goguryeo, bringing scriptures and images. Buddhism prospered in Korea, and in particular Seon (Zen) Buddhism from the 7th century onward. However, with the beginning of the Confucean Yi Dynasty of the Joseon period in 1392, Buddhism was strongly discriminated against until it was almost completely eradicated, except for a remaining Seon movement.
Japan
The Buddhism of Japan was introduced from Three Kingdoms of Korea in the sixth century . The Chinese priest Ganjin offered the system of Vinaya to the Buddhism of Japan in 754. As a result, the Buddhism of Japan has developed rapidly. Saichō and Kūkai succeeded to a legitimate Buddhism from China in nine century.
Being geographically at the end of the Silk Road, Japan was able to preserve many aspects of Buddhism at the very time it was disappearing in India, and being suppressed in Central Asia and China.
From 710 CE numerous temples and monasteries were built in the capital city of Nara, such as the five-story pagoda and Golden Hall of the Hōryū-ji, or the Kōfuku-ji temple. Countless paintings and sculptures were made, often under governmental sponsorship. The creation of Japanese Buddhist art was especially rich between the 8th and 13th century during the periods of Nara, Heian, and Kamakura.
From the 12th and 13th, a further development was Zen art, following the introduction of the faith by Dogen and Eisai upon their return from China. Zen art is mainly characterized by original paintings (such as sumi-e and the Enso) and poetry (especially haikus), striving to express the true essence of the world through impressionistic and unadorned "non-dualistic" representations. The search for enlightenment "in the moment" also led to the development of other important derivative arts such as the Chanoyu tea ceremony or the Ikebana art of flower arrangement. This evolution went as far as considering almost any human activity as an art with a strong spiritual and aesthetic content, first and foremost in those activities related to combat techniques (martial arts).
Being geographically at the end of the Silk Road, Japan was able to preserve many aspects of Buddhism at the very time it was disappearing in India, and being suppressed in Central Asia and China.
From 710 CE numerous temples and monasteries were built in the capital city of Nara, such as the five-story pagoda and Golden Hall of the Hōryū-ji, or the Kōfuku-ji temple. Countless paintings and sculptures were made, often under governmental sponsorship. The creation of Japanese Buddhist art was especially rich between the 8th and 13th century during the periods of Nara, Heian, and Kamakura.
From the 12th and 13th, a further development was Zen art, following the introduction of the faith by Dogen and Eisai upon their return from China. Zen art is mainly characterized by original paintings (such as sumi-e and the Enso) and poetry (especially haikus), striving to express the true essence of the world through impressionistic and unadorned "non-dualistic" representations. The search for enlightenment "in the moment" also led to the development of other important derivative arts such as the Chanoyu tea ceremony or the Ikebana art of flower arrangement. This evolution went as far as considering almost any human activity as an art with a strong spiritual and aesthetic content, first and foremost in those activities related to combat techniques (martial arts).
The spirituality of Dazu rock carvings are filled with multiplicity of colors, range of dimensions. Dazu Rock Carvings have 2 sections; one from 892 AD like those of Bei Shan & another military section from 12th century. To find out more, refer: http://www.journeyidea.com/dazu-rock-carvings-part-i/
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